L: Int R: ext– This is if you want to use an external recorder and also use a mic running into your cameraĮxternal Stereo – for using mics that are plugged in from an outside source. This lets you determine where you want your recording sound to come from: If you have to adjust gain- you are much better off doing it through your pre-amp or recording device that has dedicated hardware to give you a cleaner sound. This is to digitally control how much gain is going into each channel It’s a nice feature to have, and can be handy if you have multiple people on different lav mics that are feeding into the same source. You best bet is to get the talent as close to the mic as possible and set your levels so that they don’t clip, even if they were to shout or scream. If you keep it very low, you won’t have to worry about clipping, but you will have to bring up your volume levels in post to make sure you can hear your talent, and doing that will also bring up any background noise that was in the shot as well. The higher you can go, cleaner your sound, but you also risk clipping if someone shouts or there is a loud truck passing by. You want to adjust this so that you have a recording level that is between -24 and -12 db. This allows you to control how much gain goes into BOTH your channels at the same time. Fortunately for you, your camera has built in manual audio control.) (If you are using a Canon 600D, this menu doesn’t appear in your Magic Lantern. Still, using single system audio will shorten your turnaround time considerably. The on-camera audio is really awful, and wiring in a quality pre-amp and mic gives acceptable results at best. Audio has been one of the weakest features on DSLRs.
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